The corporal posture and the musicians in the formation process

La postura corporal y los músicos en el proceso de formación

Keywords: affections musculoesqueleticas, instrument, instrumentalism

Abstract

The sensitization for the early recognition of problems posturales in music's students in Colombia in its stage of initial formation becomes unavoidable, from investigations that corroborate that the musician instrumentalist in early ages should familiarize with the foundations of his normal mobility. For it this investigation presents as objective:  To value the importance of an appropriate corporal posture in the instrumentalist from the music's basic level in the Conservatory Amina Melendro of the city of Ibagué, in Colombia. The versed used methodology from the analytic thing synthetic, the historical thing logical and the inductive thing deductive. It is hoped to contribute and to develop preventive actions and of control of the affections musculoesqueléticas. The exposed content should propitiate a study material for the teachers that guide the musical areas, so that he/she takes in consideration that the specialized exercises are in function of being daily routine of study of the instrument. The necessity to investigate in that referred to the preparation of the conditions necessary physiologic anatomo to adopt an appropriate corporal posture of agreement with the demands of each instrument, is of vital importance in the scientific investigation.

Author Biographies

Diana Milena Guzmán Calderón, Lic., Educación Colombia

Docente de la Institución Educativa Técnica Musical Amina Melendro.

Ibagué. Colombia.

María de los Ángeles Sánchez Franco, Dr. C., Universidad de Ciencias Pedagógicas Enrique José Varona

Doctor en Ciencias Pedagógicas.   Profesora Titular, 

Facultad de Educación en Ciencias Sociales y Humanísticas.

Universidad de Ciencias Pedagógicas Enrique José Varona. 

La Habana, Cuba

 

Published
2025-04-22
How to Cite
Guzmán CalderónD., & Sánchez FrancoM. (2025). The corporal posture and the musicians in the formation process. Varona, (82). Retrieved from http://revistas.ucpejv.edu.cu/index.php/rVar/article/view/2806
Section
ARTICLES